Hélène Funke (DE|AT, 1869 – 1957)

Helene Funke (3 September 1869 – 31 July 1957) was a German-Austrian painter and graphic designer of modern times.

From 1905 and until 1913, she lived in France and then moved to Vienna until her death.

In 1918 she became a member of the artist group “movement” or “free movement” (from 1919). In addition, she was a member of the group of Viennese women’s art. In 1928 she received the Austrian State Prize for the picture Tobias and the Angel . “Their pictures often show women’s groups or women’s couples and represent a differentiated examination of the topic of femininity.” (Geheimsache Leben, 2005)

In 1957, Helene Funke died in her apartment in Vienna.

Funke was then rediscovered in 1998 with a first retrospective at Kunsthandel Hieke and then in 2007, during an extensive retrospective in Lentos, Linz. In 2018, she was exhibited in her birthplace, Chemnitz, Germany.

Her work was included in the 2019 exhibition City Of Women: Female artists in Vienna from 1900 to 1938 at the Österreichische Galerie Belvedere. via Wikipedia

Hélène Funke, ADAM UND EVE
Oil on canvasboard
Hélène Funke, Weiblicher Akt (+ Hafen mit Segelbooten, verso), oil on canvas, 25.6 x 31.5 in. / 65 x 80 cm
Hélène Funke, Erdbeeren, Circa 1925
Oil on wood, 32 x 41 cm
Hélène Funke, Sitting female nude at the fireplace, circa 1913, oil on cardboard, 51.5 x 37 cm
Helene Funke, „Träume“, 1913

must see:

www.lostwomenart.de/en/artist/helene-funke

As I was doing my reseach about Franziska Zach (1900-1930) & Helene Funke (1869 – 1957) I came access incredible website | project created by @lostwomenart

http://www.lostwomenart.de

The original is in German, but there is an excellent English Version! #mustshare enjoy!

From the Intro: More than half of all artists are women. Yet, they are still a minority in the art market, and only very few of them appear in the last century’s historical study of art.

But why have artists and their works fallen into oblivion?

And what are the mechanisms behind this systematic omission?

“Art history is a very old-fashioned tool. It’s as old as the museum. Let’s reinvent these things!”
FRANCES MORRIS, DIRECTOR OF TATE MODERN

Discover the forgotten female artists, their work, and thus also the history of European art anew with LOST WOMAN ART.

We reclaim the names of the artists like pieces of a puzzle. Worldwide, a diverse array of creators and institutions are working on the rediscovery and rewriting of art history. Our journey begins in Europe, the project is Work in Progress.

– Congratulations on fantastic Project, looking forward to dive into it. And I strongly recommend any #artenthusiasts to do the same.

#arthistory #artherstory #womensart #artbywomen #PalianShow

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